textMenue-II_AIC

 
 AIC 2011 Midterm Meeting
 
 AIC berichtet über den DVF
 In Memoriam
Susanna Anastasia Bösch

 Das Executive Committee 2010 – 2013

 Nationale Mitgliedsverbände

 www.aic-color.org/

   
 

 


Die Association Internationale de la Couleur, AIC

... wird gebildet aus nationalen Organisationen und Einzelpersonen, die zur Pflege des Wissens über alle Aspekte der Farbe zusammenarbeiten. AIC ist die Abkürzung des französischen Namens Association Internationale de la Couleur, Internationale Vereinigung für die Farbe. Die AIC wurde am 21. Juni 1967 in Washington D.C., USA, gegründet. Die Ziele der AIC sind dreifältig:

1.  Forschung auf allen Gebieten der Farbe anzuregen.
2.  Wissen, welches durch diese Forschung gewonnen wurde, zu vertiefen.
3.  Anwendung dieses Wissens zu fördern, um Lösungen für Probleme in den Bereichen
     Wissenschaft, Kunst, Design und Industrie auf internationaler Ebene zu ermöglichen.

Es gibt drei Kategorien der Mitgliedschaft, nämlich reguläre Mitglieder (nationale Farbvereinigungen), korporative Mitglieder (internationale Verbände) und Einzelmitglieder (individuelle Mitglieder ohne Wahlberechtigung). Reguläre und korporative Mitglieder benennen einen Vertreter, der sie bei der AIC vertritt. Einzelmitglieder sind Personen, die direkt mit der AIC verbunden sein möchten, auch wenn sie in einem Land ansässig sind, in welchem eine nationale Mitgliedsorganisation existiert.

Die individuellen Mitglieder sind auf Seite 8, AIC Newsletter 2010, Nr. 23, aufgelistet.

Alle Mitglieder erhalten den jährlichen AIC Newsletter, in dem Informationen über die AIC und die Mitgliedsorganisationen enthalten sind.

Die AIC organisiert internationale Farbkongresse, welche alle vier Jahre stattfinden.

Der erste Internationale AIC Kongress wurde 1969 in Stockholm, Schweden, abgehalten. Der 8. 1997 in Kyoto, Japan, der 9. 2001 in Rochester, N.Y., USA, der 10. AIC Kongress fand 2005 in Granada, Spanien, statt.

Die AIC hält neben den Kongressen Interimstagungen zu speziellen Themen in den Mitgliedsländern ab und betreibt auch Studiengruppen, in denen koordinierte Forschung auf verschiedenen Interessengebieten der Farbe erfolgt. Die Resultate der Studiengruppen werden als Bericht zusammengefasst und veröffentlicht.

Die AIC ist über die Webseiten http://www.aic-color.org/ und http://www.aic-colour.org/ zu erreichen.

Mehr - siehe auch  http://www.aic-colour.org/statutes.htm

AIC-Executive Committee 2010 – 2013

 
PRESIDENT
Mrs Berit Bergström
Swedish Colour Centre Foundation
P.O. Box 49022
S-10028 Stockholm
SWEDEN
T: +46 8 617 4711;
+46 733 700 714
F: +46 8 617 4747
berit.bergstrom@
ncscolour.com 
 
VICE-PRESIDENT
Prof Dr Javier Romero
Dept. de Óptica
Facultad de Ciencias
Campus Fuentenueva s/n
Universidad de Granada
E-18071 Granada
SPAIN
T: +34 958 244241
F: +34 958 248533
jromero@ugr.es
SECRETARY/TREASURER
Mr Nick Harkness
Nick Harkness Pty. Ltd.
Birdcage 3.1
65 Doody Street
Alexandria NSW 2015
AUSTRALIA
T: +61 2 9700 8110
F: +61 2 9700 8112
nick@nhpl.com.au
COMMITTEE MEMBER
Prof Lindsay MacDonald
Faculty of Media
London College of
Communication
Elephant & Castle
London SE1 6SB
UK
T: +44 207 514 6707
l.macdonald@lcc.arts.ac.uk
COMMITTEE MEMBER
Arch. María Luisa Musso
Consulting Professor at the
School of Architecture,
Design and Urbanism,
University of Buenos Aires
Carbajal 3281
C1426EMA Buenos Aires
ARGENTINA
T/F: +54 11 4555 5937
mlmcolor@arnet.com.ar
COMMITTEE MEMBER
Ms Verena M. Schindler
Art & Architectural Historian
Postfach 504
CH-8702 Zollikon
SWITZERLAND
T: +41 44 391 62 74
vmschindler@yahoo.com
COMMITTEE MEMBER
Prof Shoji Tominaga
Chiba University
Graduate School of
Adv. Integration Science
1-33, Yayoi-cho, Inage-ku,
Chiba 263-8522
T/F: +81-43-290-3486
JAPAN
shoji@faculty.chiba-u.jp

Einen ausgezeichneten Überblick über die Organisation und das Geschehen in den einzelnen Mitglieds-Gesellschaften in den Ländern der Welt bietet der neueste AIC-Newsletter (2010): http://www.aic-color.org/news/news23-10.pdf

 

In Memoriam
Susanna Anastasia BÖSCH (1968-2010)

The Swiss Colour Community is very sad to announce that Susanna Anastasia Bösch, a member of the AIC 2011 Organising Committee, passed away on 23 December 2010 after a short and sudden illness. She was 42 years old. Susanna A. Bösch was buried in Winterthur, Switzerland, on Thursday, December 30th, a misty grey and cold day strongly in contrast to the name of her firm farbe himmelblau [colour of blue sky], which she founded in 2004 (www.farbehimmelblau.ch).

Susanna A. Bösch specialized in colour design and space concepts realizing colour concepts for architecture, interior design, corporate identity and signage in Switzerland including colour concepts for the new building Zaunteam in Neftenbach, TCM Th. Falzone in Winterthur, and the production hall of Huber + Suhner in Pfäffikon; the signage concept for the public baths Badi Wülflingen in Winterthur; the lighting concept for Casinotheater Gala 05 in Winterthur; as well as corporate identity concepts for the medical kinesiology praxis S. Szostek and the Bund Europäische Farbdesigner (BEF), the official representative association in Europe of the International Association of Colour Consultants and Designers (IACC). She was also a colour consultant for the Zurich Höhenklinik in Wald as well as the Psychiatrisches Pflegeheim Sonnhalde in Grüningen. Broadly engaged as a speaker, her talks addressed such topics as ‘Colour Accompanies Us’, ‘Colours for the Elderly’ and ‘Of Effects, Emotions, Qualities and Symbolic Meanings of Colours’. Her articles focused on single colours, e.g., mauve, lapis lazuli, scarlet and ruby-red.

Susanna A. Bösch’s colour philosophy was closely related to the creation of humanly adapted living space and socially humane working environments. The human being was always at the centre of her reflections. She focused on applying the most recent findings in the psychology of colour as well as incorporating effects caused by the interaction of visual and ergonomic aspects. She was conscious that colours have always been important constitutive elements of human environments and that they affect the mood and well being of the inhabitants. She closely collaborated with architects, artisans, designers and trendsetters. After a session of the AIC 2011 organising committee in 2009 we met and discussed issues related to working as a colour consultant. She told me how keen she has always been to follow up work-in-progress by visiting construction sites to see the application of her colour concepts in the actual architectural spaces.

Susanna A. Bösch (1968-2010)

In 2008 Susanna A. Bösch was elected a member of the pro/colore executive board. In October she participated in the event ‘Colour Understanding – Status Quo and Trends’, an international colour symposium organized by the German colour association Deutsches Farbenzentrum (AIC Newsletter 22, 2009, p.37-38, http://www.aic-colour.org/news.htm), where we met for the first time. On May 7th, 2009, she became a member of the AIC 2011 Organising Committee. During the pro/colore General Assembly on April 27th, 2010 Susanna A. Bösch was unanimously elected president of pro/colore; she was the first woman president of the Swiss colour association. She also was a member of the executive committee of TapetenForum Switzerland.

We will remember Susanna for her energy, enthusiasm and professionalism. We express our condolences to her daughter, family and friends. (Schindler)

 
AIC berichtet über den DVF

London/UK - The Deutscher Verband Farbe (DVF) is the German AIC member organization, representing the FNF of the DIN (German Institute for Standardization), Deutsches Farbenzentrum e.V. (DFZ) and Deutsche farbwissenschaftliche Gesellschaft e.V. (DfwG). At its 2009 assembly, Frank Rochow (DfwG) was re-elected as chairman, Ms. Susanne Wied (DVF) was elected as vice-chair. Published in the AIC-Newsletter 2010 (23), edited by Lindsay MacDonald, London College of Communication.

Within DIN various standardization activities were continued, in the fields of Basic Concepts in Colorimetry (DIN 5033-1) and Tolerances in Automotive Paint (DIN 6175-1). The committee FNF 2 focuses on basic colorimetry and tries to keep German standards current and in sync with CIE. Current work has been finished on calibration of colour measurement instruments and also on updated geometrical descriptions of measurement geometries. FNF 24 focuses on colorimetry and tolerances of automotive paint and plans to have visual tests to check and improve the existing standards in a way that the formulae are valid for solid and metallic paint. Further work has been started for interference effect paint.

The board of the Deutsches Farbenzentrum (DFZ) consists of Chairman Prof Axel Buether, Vice-Chair Dr Anne-Marie Neser, and Treasurer Susanne Wied. At the member’s meeting during the 35th annual conference of the Deutsche Farbwissenschaftliche Gesellschaft in Berlin, in September, the DfwGChairman Dr. Gerhard Roesler, Vice-Chair Prof Bernhard Hill, Treasurer Dr. Carsten Steckert and Secretary Dipl-Ing Frank Rochow were re-elected.

An interesting research paper was given by Dr Peter Bodrogi, S. Brückner and Prof Tran Quoc Khanh of the Lighting Laboratory, TU Darmstadt, on ‘Redefinition of the colour rendering index of today’s light sources’. For use in room lighting applications, white LED light sources show a lack of colour rendering capabilities and luminous efficacy. While luminous efficacy is the principal issue for outdoor applications, indoor lighting requires good colour rendering. Newly developed high power white LED light sources provide good colour rendering based on a well-filled spectrum.

During the DfwG-conference, the winner of the "2009-DfwGFörderpreis", Ms Dipl-Ing Katrin Möller, was honoured for her work "Color stabilization on LED-Spotlights, using temperature characteristics and/or a color sensor". The DfwG-Förderpreis, which comes with a 1000 EUR cash prize, is offered to younger colour scientists every two years.

The 36 th annual DfwG conference will be held in Darmstadt 6– 8.10.2010. This meeting with the topic "Color Science and its Application in Industry" will be hosted jointly by the Institute of Printing and the Special Field of Lighting. Prof Dörsam and Prof Khanh, both of the Technical University of Darmstadt, will organize the technical programme.

The international conference "Colour in Education" offers a platform for open discussion and international comparison of scientific and artistic methods for teaching colour theory, colour practice and colour research. For the first time, experts from all fields across the international educational landscape will meet to discuss how to further colour education. 29-31 October 2010, Burg Giebichenstein, University of Art and Design Halle www.deutsches-farbenzentrum.de The DFZ is offering the "Karl-Miescher-Preis 2010" for "Innovative ideas in dealing with colour in pre-school and school teaching".
 

AIC 2011 Midterm Meeting in Zurich, Switzerland
Interaction of Colour & Light in the Arts and Sciences
www.aic2011.org
CALL FOR PAPERS
please contact:
Verena M. Schindler
AIC 2011 General Chair
E-Mail: info@aic2011.org
  INTERACTION OF COLOUR & LIGHT IN THE ARTS AND SCIENCES
AIC 2011 Midterm Meeting of the International Colour Association (AIC)
7–10 June 2011, Zurich University of the Arts, Zurich, Switzerland
Extended Abstract Submission
Submit an extended abstract in English in order to participate with an oral paper or a poster presentation in the AIC 2011 Midterm Meeting. The length of the abstract should not be less than 500 nor more than 2000 words following the submission template and guidelines provided at the website www.aic2011.org. Any accepted author is required to participate in the AIC 2011 Midterm Meeting and pay the early registration fee as a full delegate. If multiple, same-single-author abstracts are submitted and accepted, only one will be scheduled for oral or poster presentation. Multiple contributions as a co-author are only possible if another co-author registers, presents the paper and participates in the AIC 2011 conference. Submit only unpublished works.

Please send your submission as both an attached WORD-file (DOC or DOCX files) and a PDF-file (Acrobat). All submissions should be sent to: info@aic2011.org  After sending your abstract, if you haven’t received a confirmation E-Mail within three days, contact ua please. Extended Abstract Submission Deadline: 15 November 2010,

Important Deadlines Submission of Abstracts

for Oral Papers and Posters 15 November 2010
Notification of Author Acceptance 5 January 2011

Advanced Registration and Author Registration

Please note that at least one author per submission must register for attendance at the conference; this is necessary in order for publication of the paper in the Conference Proceedings. 31 January 2011
Submission of Short Abstracts for Book of Abstracts 5 February 2011
Submission of Final Texts for Publication
Please read Conference Publications & Copyright Regulations 5 March 2011
Late Registration 31 May 2011
AIC 2011 Midterm Meeting (Conference) 7–10 June 2011
Language
All abstracts, posters and full papers for publication in the Proceedings as well as oral presentations must be in English.

Conference Theme

Much interest is devoted to the interaction of colour & light in today’s scientific and artistic research communities. New technologies, materials and media are now being deployed to enhance and stimulate our experience of daily life in real and virtual, permanent and ephemeral environments. The aim of the AIC 2011 conference is to explore how the interaction of colour & light plays a crucial role in the perception, conception and realization of spaces and platforms in different fields from both a theoretical and practical point of view. Using terms and concepts such as appearance, interaction, performance, event, and by privileging the materiality, mediality and the interactive dimension of colour & light, the conference presentations should demonstrate how productive the theme of the
INTERACTION OF COLOUR & LIGHT IN THE ARTS AND SCIENCES
is. The fields of inquiry include: education, design art, media, lighting, architecture, theatre, dance, as well as psychology, colour science and technology. The AIC 2011 Midterm Meeting aims to further discussion and nurture the latest findings in these various fields.

Conference Topics and Sub-Topics

Submissions will be accepted for consideration in any of the topics mentioned below. Authors are required to name the most relevant topic and sub-topic with respect to their submissions’ content.

  • 1. SPACE: a. visual culture; b. photography; c. design; d. lighting;
    e. interior architecture; f. architecture; g. urbanism; h. environment;
    i. landscaping; j. visionary projects
  • 2. STAGE: a. performance; b. art; c. museography; d. scenography;
    e. techniques of staging; f. theatre, performing body; g. dance, movement; h. music, sound; i. virtual projects
  • 3. EDUCATION: a. teaching aids; b. methodology; c. theory;
    d. terminology; e. static and electronic media; f. multimedia
  • 4. PSYCHOLOGY: a. colour perception; b. harmonious interactions;
    c. emotional interactions; d. illusions resulting through light and colour interaction
  • 5. SCIENCE & TECHNOLOGY: a. colour science; b. physiology and psychophysics; c. colour appearance and measurement;
    d. materiality, texture, surface; e. transparency and translucency, reflection and glossiness
  • 6. COMPUTER GRAPHICS: a. colour in computer vision; b. colour in graphic design; c. multimedia in colour imaging; d. computer graphics scene rendering; e. Virtual Reality (VR) and Augmented Reality (AR) environments

Presentation Methods for Accepted Papers

a. Oral Presentation
Oral presentations should be 15–20 minutes and invited lectures 30–40 minutes in duration. Final acceptance of papers for oral presentations will be decided by the AIC 2011 Scientific Committee. The AIC 2011 Scientific Committee reserves the right to schedule any papers accepted as oral presentations in the topic or sub-topic section that best suits the content and organisation of the programme.

b. Poster Presentation
The final paper submission’s content is to be presented in a graphic form following the guidelines for posters. The work should be presented as a single sheet world format (F4, 90 x 128 cm, portrait format). Those papers accepted for presentation as posters will be
on display throughout the AIC 2011 Midterm Meeting. Authors of posters will be required to attend allocated sessions to discuss their work.

Accepted Paper Submission
Along with a peer review and letter of acceptance, accepted authors will also receive format requirements and guidelines for short abstracts as well as full papers (final texts). Deadline for Submission of Short Abstracts: 5 February 2011. The short abstract will be published in the AIC 2011 Book of Abstracts. Deadline for Submission of Final Texts: 5 March 2011
All papers accepted by the AIC 2011 Scientific Committee with at least one registered author per submission participating at the conference will be included in the AIC 2011 Conference Proceedings.
We look forward to welcoming you to Zurich!. For updated information, please visit our website www.aic2011.org

For further questions, please contact:
Verena M. Schindler
AIC 2011 General Chair
E-Mail: info@aic2011.org